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Art Talk: “Aesthetic Spectrum in Post-Machine Algorithms” Discusses the Position of Art and Humanity Amidst AI Development

Art Talk: “Aesthetic Spectrum in Post-Machine Algorithms” Discusses the Position of Art and Humanity Amidst AI Development

Yogyakarta, June 24, 2026 — The Indonesian Institute of the Arts (ISI) Yogyakarta is holding a "Wicara Seni" (Art Talk) themed “Aesthetic Spectrum in Post-Machine Algorithms” , as part of the program series for the 42nd Dies Natalis Exhibition of ISI Yogyakarta. This activity serves as a discussion forum that brings together the perspectives of artists, academics, curators, and the public to re-examine the relationship between human creativity and the development of artificial intelligence (AI) technology.

This art talk is being held in response to the exhibition's curatorial theme “Post-Machine Algorithms: Feeling Resonance in Binary Networks”, which invites the public to re-examine the position of art in a world increasingly influenced by algorithmic systems. In this context, art is understood not only as an aesthetic practice, but also as a space for critical reflection on social, technological, and human changes.

The event features Anne Shakka, a writer and lecturer in Humanitas Studies at Duta Wacana Christian University (UKDW), and Ni Putu Rahayu Sukma Dewi, recipient of the Best Work award at the 42nd Dies Natalis of ISI Yogyakarta. The discussion is moderated by Karen Hardini, a curator, researcher, and writer actively studying the development of contemporary art and curatorial practices in Indonesia.

In her presentation session, Ni Putu Rahayu Sukma Dewi shared the creative experiences behind the work that received the best award at this year's Dies Natalis exhibition. Through her presentation, she reviewed the creative process, the exploration of artistic ideas, and her views on the position of artists in facing technological developments that increasingly influence how humans produce and consume visuals.

Meanwhile, Anne Shakka provided feedback on the exhibition's curatorial framework and the various works displayed. From a digital humanities perspective, she encouraged participants to understand how technology not only changes the way humans work and communicate, but also shapes how humans understand identity, experience, knowledge, and aesthetics.

Discussions are evolving around fundamental questions concerning the relationship between humans and machines. To what extent can artificial intelligence play a role in the creative process? Does technology expand artistic possibilities or rather displace the human experience in creative work? These questions become the meeting point for artistic practice, humanities studies, and contemporary technological developments.

The participants' enthusiasm shows that the issue of AI and art has become an important concern for the young creative generation. Through this forum, participants have the opportunity to discuss the various challenges and opportunities that arise as technology becomes increasingly involved in the art creation process.

For ISI Yogyakarta, the organization of this art discourse is part of an effort to strengthen the role of the art campus as a space for knowledge production that is open to the developments of the times, as well as critical of its social and human implications. Through interdisciplinary dialogue, the campus strives to present discourse that is not only relevant to the art world, but also to society living amidst digital transformation.

Through Artful Speech “Aesthetic Spectrum in Post-Machine Algorithms”, ISI Yogyakarta reaffirms its commitment to continue providing a meeting space between artistic practice, critical thinking, and technological development. This activity also serves as part of an effort to maintain the role of art as a medium for reflection, dialogue, and the search for meaning amidst the increasingly rapid changes of the times.

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